“Titian: Women, Myth and Power,” which just opened at the Isabella Stewart Gardner Museum, is an extreme lesson in the value of showing up. Four centuries spent Ping-Ponging through a half-dozen ...

“Is the Pope going to sell you one of the rooms at the Vatican?” Henry James wrote to Isabella Stewart Gardner in 1896 when he learned that she had just acquired Titian’s “The Rape of Europa”—the ...

Close your eyes and think of Venus. What image comes to mind? Perhaps Botticelli’s bored teenager in her scallop shell; maybe the Venus de Milo, serene, lovely and just a touch bovine; perhaps ...

VENICE (AFP) ― Two naked seductresses separated by three centuries of history went face to face for the first time in Venice on Wednesday in an exhibition devoted to French painter Edouard Manet with ...

For all its supposed majesty over all the European musical instruments, the organ is rarely depicted in masterworks of visual art. One catches distant glimpses of large organs in seventeenth-century ...

In the official mind of Manhattan’s Metropolitan Museum of Art only two men have ever really used paint. One was Rembrandt the Dutchman. The other was Titian the Venetian. Of some 300 closely-held ...

This article was originally on a blog post platform and may be missing photos, graphics or links. See About archive blog posts. Reporting from Boston — In the marvelous exhibition of 16th century ...

Please be advised that due to recent global shipping events, there may be fulfillment delays during the post-sale process. Venus Etcetera (after Titian) is a screenprint by Miles Alridge printed by ...