Bach concertos on a modern Steinway prove a mixed blessing, but the Singapore Symphony's Schumann impresses under Hungarian ...

The Ballet Icons Gala, now celebrating its 20th year, is firmly established as a highlight of London’s ballet year. In a ...

Benjamin Britten's dark masterpiece Peter Grimes returns triumphantly to Opera North, conducted by Gary Walker and revived by Karolina Sofulak and Tim Claydon.

Forwards? Backwards? Upside down? All three at once? From Machaut to Pärt, Ensemble 360 considers the relationship between ...

Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara ...

Seong-Jin Cho continues his Artist Portrait series with the LSO by performing Chopin's poetic Second Piano Concerto.

After a six-month break to address persistent injuries, the bravura violinist appears in one of her signature pieces: ...

As the idiosyncratic, laconic Hungarian composer approaches his 100th birthday, we talk to Pierre-Laurent Aimard about his decades-long relationship with György Kurtág, on his unique playfulness and ...

Ludovic Morlot conducts the Seoul Philharmonic Orchestra in three classics from the Romantic era: Berlioz, Chopin and Schumann.

Global chaos has not deterred Cuba's Malpaso Dance from bringing two world premieres, one home-grown, and a Martha Graham debut to New York City – incredibly, with all-live-music accompaniment.

On the final leg of their North American tour, the Budapest Festival Orchestra’s Mahler proves a a transformative experience within the intimate setting of Toronto’s Koerner Hall.

Alexandra Dovgan plays piano concertos by Clara and Robert Schumann at the Konzerthaus, but it's the Kammerorchester Basel's performance of a forgotten symphony which most impresses.