The Epson EH-LS9000 made quite the splash when it was released in September 2025, returning Epson to the serious home cinema ...

“The X1 does a lot of things well but also comes with a lot of compromises because of its portability.” The Soundcore Nebula X1, a sub brand of parent company Anker, offers a 4K RGB laser DLP ...

LG’s gargantuan new micro-LED TV uses active matrix technology. This enables individual pixels in the display to generate ...

The world's top DLP projector brand has launched a new dual-laser model, which not only promises stunning visuals with ...

Bose will brick key features of its SoundTouch Wi-Fi speakers and soundbars soon. On Thursday, Bose informed customers that as of February 18, 2026, it will stop supporting the devices, and the ...

I’ve tested a lot of stuff in my time – TVs, Christmas trees, vacuums designed for ease – but few things have stuck around like my SimpliSafe home security system. Halloween consistently brings a jump ...

Clockwise from top, Alex Organ, Christina Austin Lopez, Esteban Vilchez and Liz Mikel are among the Dallas Theater Center acting company appearing in Michael Frayn's backstage farce "Noises Off." ...

Performances in N.Y.C. Advertisement Supported by It’s unusual for an Atlantic Theater Company production to feel so uninspired, but in this set of one-acts, committed actors are let down by juvenile ...

Few contemporary films about unresolved childhood abuse — which is always unresolved, in the end, anyway — cut as narrowly close to the bone as Elliot Tuttle’s two-hander masked as provocation, “Blue ...

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Let me start with a question, if you shall indulge me for a moment. What ...

Never has a plate of sardines wreaked so much havoc. It’s just one of the props doing yeoman’s work alongside a delightfully engaged cast literally throwing themselves into Noises Off to open the ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick Bedlam’s sharply irreverent production of Emily Breeze’s comedy, a riff on “Pride and Prejudice,” has period dress, contemporary ...