The 1962 hit song is being turned into an animated movie at Miramax. Senate Democrats block government funding bill for 13th time ‘I think we’ve been lied to’: Who exactly is considered rich in ...

It's alive — and tall as hell! Netflix has unveiled its first full look at Jacob Elordi as the creature in Guillermo del Toro's Frankenstein, now playing in theaters. Social media accounts for the ...

Here's your chance to see the legendary monster truck, Grave Digger, up close. Monster Jam is bringing its Monster Jam Road Trip to Walmart stores across the country, including in El Paso, beginning ...

The new Netflix series explores various theories about who really carried out a series of murders that have captivated the nation for decades. By Elisabetta Povoledo Reporting from Rome The brutal ...

“Monster: The Ed Gein Story” has shot a new fervor of want for serial killer stories through many. The latest entry in the Netflix anthology series stands apart from others because the subject matter ...

Luca Guadagnino is back with another haunting film, this time, he’s bringing together Julia Roberts, Ayo Edebiri and Andrew Garfield. Hitting theaters on Friday, “After the Hunt” stars Roberts as Alma ...

BOTTOM LINE A topical thriller full of twists and turns that lead to a dead end. Julia Roberts plays Alma, a Yale philosophy professor, in the tangled web woven by "After the Hunt." Her colleague Hank ...

“After the Hunt,” Luca Guadagnino’s psychological thriller about the fallout from the #MeToo movement, has been in theaters for only a few days, but it already feels dated. It’s a memento of the micro ...

If you purchase a product through a link on our site, we may receive compensation. Monster in the Family: The Stacey Kananen Story, Lifetime’s newest true story movie, premieres tonight, Saturday, ...

Director of photography Malik Hassan Sayeed made a stunning debut with Spike Lee's "Clockers" in 1995 before leaving feature films for commercials; over 25 years after his last feature, Guadagnino got ...

It’s not so often that the font of a movie’s opening credits is, itself, a provocation. But in Luca Guadagnino ’s muddled but darkly absorbing “After the Hunt,” the white Windsor Light Condensed ...