Miramax optioned the rights to Bobby "Boris" Pickett's classic 1962 novelty song "Monster Mash" and plans to adapt it into an ...

EXCLUSIVE: The 1962 song “Monster Mash,” which has become an annual Halloween seasonal hit, is becoming an animated movie at Miramax. Miramax CEO Jonathan Glickman, who has been behind such haunted ...

“Monster Mash” was originally written as a parody of several pop fads that have faded away, but the song is an American novelty song that lives on like a vampire. In the early 1960s two cultural ...

Don’t let the finality of The End fool you. Despite the connotations of the title of Wolfgang Van Halen’s third and latest ...

In thrash metal tradition, the vocal for Angel of Death is a largely unintelligible roar. It’s set against a super-fast (and ...

If there’s anything that defines music in the 21st century, it’s constant change. We live in an era when your next favorite song could come from anywhere — all over the stylistic map, all over the ...

Hunnam, who is currently starring as serial killer Ed Gein in season three of the Netflix true-crime anthology, returns alongside Beatty, who will portray the series' first female "monster." By Jackie ...

Monster: The Ed Gein Story debuted at No. 2 on Netflix, proving the public continues to be fascinated with The Butcher of Plainfield. That fascination stretches all the way back to the date Gein’s ...

Still, for the uninitiated, it can be hard to navigate how much of Gein’s story here is fictionalized, how much is exaggerated, and how much is shockingly true. Here’s a breakdown to help separate ...

Editor's Note: The following contains spoilers for Monster: The Ed Gein Story.In Netflix’s Monster: The Ed Gein Story, Charlie Hunnam’s droopy-eyed Butcher of Plainfield commits a slew of atrocities – ...

“Monster: The Ed Gein Story” debuted with 12.2 million views in its first four three on Netflix. That’s just a hair lower than the debut of “Monsters” Season 2, subtitled “The Lyle and Erik Menendez” ...

Randall Colburn is a writer and editor at Entertainment Weekly. His work has previously appeared on The A.V. Club, The Guardian, The Ringer, and many other publications.